Пројектом "Plaisir d'amour" који се одржао а у оквиру Октобарског салона, Културни елемент и Музеј града Београда свечано су отворили другу по реду сезону ''Музички сводови Београда''.

Katarina and Ljubica Duet have introduced themselves with the concert titled “Melancholy”, which was a synthesis of music, literature, acting, dancing, and visual arts. The Duet enchanted, seduced, and touched the audience with its different and specific program. The concert ceremoniously closed the exhibition “Durer and His Contemporaries” organized by Belgrade City Museum.

The concert Until the End of the World was organized in collaboration with the 15th International Harp Festival.

Within the concert season “Belgrade Musical Arches”, cooperation with the 15th International Harp Festival has been established. At the first concert, and within the frames of the cooperation, Eva Tomšič, a guest from Slovenia, performed.

The program included works by Mozart, Faure, and Hindemith, while Eva has proved worth of both her biography, as well as, her degree which she earned at the Royal Conservatory in Brussels, where she was taught by Jana Bouskova, a world-known harp player.

Within the concert season “Belgrade Musical Arches”, a performance by the “Voice Chamber Choir”, a well known British choir from London, and conducted by the world known conductor Suzy Digby was held. Honoring the 400 years since the death of William Shakespeare, the choir performed his sonnets, and the rich musical program also offered the works of Stevan S. Mokranjac.

У оквиру сезоне '' Музички сводови Београда'' изведен је концерт "Quod Fatum" посвећен Чајковском и његовом пријатељству са Надеждом фон Мек.

In cooperation with Belgrade City Museum, and within the concert season “Belgrade Musical Arches”, a concert titled “The Winter Journey” was held. The program included Franz Schubert’s well-known cycle – The Winter Journey. The program was performed by guests from Germany, an internationally renowned baritone Julian Orlishausen, as well as, our famous pianist Boris Radulović, whose current permanent address is in Cologne.

The audience had witnessed a special event that was a specific train journey during which a part of Schubert’s cycle was performed. At the very beginning, a lady conductor verified passengers’ tickets, and the guest then travelled through a winter land, while enjoying the music and winter panorama.

The Winter Journey

This string of Schubert’s 24 songs, composed upon the poetry of Wilhelm Muller, is not often heard from the concert podiums, and thus represents a real challenge, from both musical and dramatic aspects. The very dimension of the cycle, which lasts about 70 minutes in an integral performance, demands a great focus from the singer, because it has a dramatic intensity typical for great theatrical or vocal-instrumental pieces. In his verses, Muller describes a lonely hero who, after he suffers love dejection, wanders through frozen nature, while going back to the past in an attempt to understand the present.